David Jones


David Jones

                                                Eric Gill. Pencil & colored paper (1921)



from The Anathemata (Rite and For-time)


This man, so late in time, curiously surviving, shows courtesy 

to the objects when he moves among, handles or 

puts  aside the name-bearing instruments, when he shows every  day in 

his hand the salted cake given for this gens to savour  all the gentes.

*****

What, from this one’s cranial data, is like to have been his kindred’s psyche; in that they, along  with the journey-food, donated the votive horn? and with  what pietas did they donate these among the dead—the lifegivers—and by what rubric?

Was their oral gloss from a Heidelberg gaffer or did they emend a Piltdown use, was the girl from Lime Street a butty of theirs, or were the eight Carmel fathers consanguine or of any affinity to those that fathered them

*****

or were the eight Carmel fathers consanguine or of

any affinity to those that fathered them, that told what they had heard with their ears of those german to them, before the palmy arbours began again to pine —and at which of the boreal oscillations?

And before them?

those who put on their coats to oblate the things set apart  in an older Great Cold.

And who learned them

if not those whose fathers had received or aped the groping disciplina  of their cognates, or lost or found co-laterals, on the proto-routes or at the lithic foci?

Tundra-wanderers?

or was there no tundra as yet, or not as yet again, to wander —but grew green the rashes over again? Or was all once again  informis, that Cronos for the third time might see how his  lemmings run and hear the cry of his tailless hare from south  of the sixties, from into the forties?

For the phases and phase-groups

sway toward and fro within that belt of latitude.

There’s where the world’s a stage

for transformed scenes

with metamorphosed properties

for each shifted set.


The mimes deploy:

anthropoid

anthropoi.

Who knows at what precise phase, or from what floriate  green-room, the Master of Harlequinade, himself not made,  maker of sequence and permutation in all things made, called  us from our co-laterals out, to dance the Funeral Games of the 

Great Mammalia, as, long, long, long before, these  danced out

 the Dinosaur?



John Ashbery

  The New Spirit (excerpt) I thought that if I could put it all down, that would be one way. And next the thought came to me that to leave a...