from Mentone, Cairo and Corfu. Cairo in 1890. (1895)
But in Cairo, at least, the work of repairing goes on very slowly; three hundred mosques, probably, out of the four hundred still remain untouched, and many of these are adorned with a delicate beauty which is unrivalled. I know no quest so enchanting as a search through the winding lanes of the old quarters for these gems of Saracenic taste, which no guide-book has as yet chronicled, no dragoman discovered. The street is so narrow that your donkey fills almost all the space; passers-by are obliged to flatten themselves against the walls in response to the Oriental adjurations of your donkey-boy behind: "Take heed, O maid!" "Your foot, O chief!" Presently you see a minaret—there is always a minaret somewhere; but it is not always easy to find the mosque to which it belongs, hidden, perhaps, as it is, behind other buildings in the crowded labyrinth. At length you observe a door with a dab or two of the well-known Saracenic honeycomb-work above it; instantly you dismount, climb the steps, and look in. You are almost sure to find treasures, either fragments of the pearly Cairo mosaic, or a wonderful ceiling, or gilded Kufic (old Arabian text) inscriptions and arabesques, or remains of the ancient colored glass which changes its tint hour by hour. Best of all, sometimes you find a space open to the sky, with a fountain in the centre, the whole surrounded by arcades of marble columns adorned with hanging lamps (or, rather, with the bronze chains which once carried the lamps), and with suspended ostrich eggs—the emblems of good-luck. One day, when my donkey was making his way through a dilapidated region, I came upon a mosque so small that it seemed hardly more than a base for its exquisite minaret, which towered to an unusual height above it. Of course I dismounted. The little mosque was open; but as it was never visited by strangers, it possessed no slippers, and without coverings of some kind it was impossible that unsanctified shoes, such as mine, should touch its matted floor; the bent, ancient guardian glared at me fiercely for the mere suggestion. One sees sometimes (even in 1890) in the eyes of old men sitting in the mosques the original spirit of Islam shining still. Once their religion commanded the sword; they would like to grasp it again, if they could. It was suggested that the matting might, for a backsheesh, be rolled up and put away, as the place was small. But the stern old keeper remained inflexible. Then the offer was made that so many piasters—ten (that is, fifty cents)—would be given to the blind. Now the blind are sacred in Cairo; this offer, therefore, was successful; all the matting was carefully rolled and stacked in a corner, the three or four Muslims present withdrew to the door, and the unbeliever was allowed to enter. She found herself in a temple of color which was incredibly rich. The floor was of delicate marble, and every inch of the walls was covered with a mosaic of porphyry and jasper, adorned with gilded inscriptions and bands of Kufic text; the tall pulpit, made of mahogany-colored wood, was carved from top to bottom in intricate designs, and ornamented with odd little plaques of fretted bronze; the sacred niche was lined with alabaster, turquoise, and gleaming mother-of-pearl; the only light came through the thick glass of the small windows far above, in downward-falling rays of crimson, violet, and gold. The old mosaic-work of the Cairo mosques is composed of small plates of marble and of mother-of-pearl arranged in geometrical designs; the delicacy of the minute cubes employed, and the intricacy of the patterns, are marvellous; the color is faint, unless turquoise has been added; but the glitter of the mother-of-pearl gives the whole an appearance like that of jewelry. Upon our departure five blind men were found drawn up in a line at the door. It would not have been difficult to collect fifty.
